Arth 287
20thCentury Art...1945 to Now
Prof: Kavky
Slide List 1 | Slide List 2 | Slide List 3 | Slide List 4 | Slide List 5 |
Slide List 6 | Slide List 7 | Slide List 8 | ||
Slide List 14 | Slide List 15 | |||
Slide list 17 | ||||
Main Menu
Slide List 19: Race and Cultural Identity
David Hammons (b. 1943)
1. Hammons Making Body Prints, c 1972-3, photograph
2. Black Boys Window, 1968, body print and found objects
3. Bird, 1973, saxophone, mannequin hands, spade
4. Spade with Chains, 1973, found object assemblage
5. Shoetree, 1981, Serras TWU with shoes
6. Lady with Bones, 1983, shopping bags, grease, rib bones and Untitled, 1981, hair, wire, (reconstructed in 1990) (N/A commercial slide)
7. Bliz-aard Ball Sale, 1983, Cooper Square, NY
8. Bliz-aard Ball Sale, 1983, Cooper Square, NY
9. Higher Goals, 1983, 121st Street and Frederick Douglas Blvd., Harlem
10. Higher Goals, 1986, poles, basketball hoops, bottle caps, Cadman Plaza, Brooklyn
Betye Saar (b. 1926) Alison Saar (b. 1956)
11. Photo of Mother and Daughter (in process)
12. Betye Saar, Liberation of Aunt Jemina, 1972, assemblage
13. Alison Saar, Dying Slave, 1989, wood and mixed media
14. Michaelangelo, Dying Slave, c. 1513, marble
Adrian Piper (b. 1948)
15. Catalysis III and IV, 1970, street performance
16. Catalysis III and IV, 1970, street performance
17. Political Self-Portrait #2 (Race), 1978
18. Four Intruders Plus Alarm Systems, 1980, installation
19. Ur Mutter #5 and #10, 1989, photocollages
20. Ur Mutter #5 and #10, 1989, photocollages
Carrie Mae Weems (b. 1958)
21. Letter Holder, 1987, gelatin silver print (N/A commercial slide)
22. Cookie Jar, 1987, gelatin silver print (N/A commercial slide)
23. Kitchen Table Series, 1989-90, gelatin silver prints
24. Kitchen Table Series, 1989-90, gelatin silver prints (in process)
Lorna Simpson (b. 1960)
25. You're Fine, 1988, color polaroid prints, plastic plaques, plastic letters
26. Guarded Conditions, 1989, color polaroid prints, plastic plaques, plastic letters
Glenn Ligon (b. 1960)
27. Photo of the artist with work inspired by 19th century slave narratives
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contact: coursepages@www.arthistory.upenn.edu
revised:date 5/1/01