ARTH 585
Meaning in Making in the
the Work of Degas
Instructor: Professor Lindsay
T 3-5
Course Description
This seminar pursues a highly topical concern
among art historians today: the meaning of materiality, through the
work of Edgar Degas (1834-1917), an artist who stands out for a technique
and choice of materials that, critics then and now say, contributed
forcefully to the content and reception of his imagery. His obsession
with craft, old and new, in fact led to an extraordinary range of mediums--oil
paintings, pastels, drawings, prints, photography, and sculpture. We
will consequently explore his work by medium in order to probe the essential
nature, traditions, and symbolics of the main types and what his particular
pursuits in each might be. Given our dual conceptual and material interest,
we will discuss the scholarly literature in the range of its positions
("new" and scientific/curatorial), but also take field trips
to museum galleries, study rooms, and the conservation lab, where conservators
will guide us on what to look for and how. We will closely examine a
major Degas show that will open at the Philadelphia Museum of Art during
the semester, Degas and the Dance, and participate, schedules permitting,
in complementary programs for scholars. Our overriding tasks in this
course are to consider how the work of art conveys its force and possible
meaning, and to probe deeper into methods of looking and thinking about
possible relationships between content, medium, and technique.
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