1. Henry van de Velde (1863-1957). Angel Watch, 1893. Wool and silk appliqué embroidery  2. *Henry van de Velde (1863-1957). Chair, 1895-96. Designed for van de Velde’s house Bloemenwerf in Uccle (near Brussels). Padouk wood with rush seat 3. Henry van de Velde (1863-1957). Poster for the Tropon factory, 1897. Lithograph 4. Henry van de Velde (1863-1957). Desk and armchair, 1898. Oak and brass 5. *Henry van de Velde (1863-1957). Candelabrum, c.1899. Silver-plated bronze 6. Henry van de Velde (1863-1957). Reform dress, c.1900. Photographed in van de Velde’s apartment in Berlin. 7. Henry van de Velde (1863-1957). Cutlery, 1903. Silver  8. Henry van de Velde (1863-1957). Shell textile, 1903-5. Printed cotton 9. Henry van de Velde (1863-1957). Title pages and text spread of Friedrich Nietzsche’s Also Sprach Zarathustra (Thus Spake Zarathustra), 1908. Published by Insel Verlag. Printed book 10. Main entrance of Siegfried Bing’s gallery L’Art Nouveau, Paris, 1895 11. Emile Gallé (1846-1904). Dragonfly étagère, c.1900. Burl elm, maple, other woods, and mirrored glass 12. A. H. Mackmurdo (1851-1942). Title page of Wren’s City Churches, 1883. Printed book 13. *Hector Guimard (1867-1942). Wallpaper, c. 1898. Designed for Castel Béranger, Paris. Made by Le Mardelé, Paris. Printed paper 14. *Richard Riemerschmid (1868-1957). Chair, 1898-99. Made by Vereinigte Werkstätten für Kunst im Handwerk, Munich. Oak with leather upholstery 15. Hermann Obrist (1863-1927). Tablecloth, c. 1897. Linen with silk embroidery back to main menu

Access Info Access to collection: This collection is open to the entire web for searching and viewing the thumbnail images. The large version of the images is restricted to the Penn domain [upenn.edu]. Proxy: If you are a Penn affiliate, you can access the full-size images from outside the Penn domain by using the Library Proxy Service. Copyrights: The use of the full-size digital images is restricted to University of Pennsylvania faculty, students, and staff (for more information). contact: coursepages@www.arthistory.upenn.edu revised:1/9/2003