ARTH 211/611 Course Description The three colossal Buddhas in the monumental
complex in the Bamiyan valley, situated at a middle point on the International
trade route between India and China, had a significant impact on the
surrounding culture up to and including the time of their destruction
at the beginning of the 21th century. Most surviving descriptions however
come from Muslim sources. Contemporaneous Buddhist sources and other
forms of primary historical information are exceedingly rare. Consequently,
it has proved difficult to define the chronology, meaning and function
of the enormous complex. In order to propose a model for the development
of the Bamiyan complex, we will consider the chronology of the arts
of the Hindu Kush within the extended cultural zone of the western Himalayan
region- including north and eastern Afghanistan, Pakistan and Kashmir
-from the period of the Graeco-Bactrians to the early Muslim dynasties,
emphasising the 6th -9th centuries. In addition we will evaluate the
evidence for Bamiyan derived from different sources - archaeological,
literary, numismatic, and particularly art historical. We will place
particular emphasis on the newest research discussing the possible influence
of the art and iconography of neighbouring cultures - Turkic, Iranian,
and Indian. |
Course
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