The Grove Dictionary of Art

Bullen, J.B., “Dante Gabriel Rosseti and the Mirror of Masculine Desire,” Nineteenth Century Contexts. Vol. 21, no. 3, 1999, pp. 329-352.

Casteras, Susan P. And Alicia Craig Faxton, eds., Pre-Raphaelite Art in its European Context. London: Associated University Press,

———, The Substance or the Shadow: Images of Victorian Womanhood. New Haven: Yale Center for British Art, 1982.

Cherry, Deborah, and Griselda Pollock, “Woman as Sign in Pre-Raphaelite Literature: A Study in the Representation of Elizabeth Siddal,” Art History. Vol. 7, no. 2, June 1984, pp. 206-227.

Mancoff, Debra, “Is There Substance Behind the Shadows? New Works on Elizabeth Siddal” The Journal of Pre-Raphaelite Studies. New Series I, 1 Spring 1992, pp. 21-28.

Marsh, Jan, The Pre-Raphaelite Sisterhood. New York: St. Martin’s Press, 1985.

Pearce, Lynne, Woman/Image/Text: Readings in Pre-Raphaelite Art and Literature. Toronto: University of Toronto Press,

Powell, Kristen H. “Object, Symbol, and Metaphor: Rossetti’s Musical Imagery,” The Journal of Pre-Raphaelite Studies. New Series II, 1 Spring 1993, pp. 16-27.

Surtees, Virginia, Rossetti’s Portraits of Elizabeth Siddal. Oxford: The Ashmolean Museum,

Taylor, Beverly, “Beatrix/Creatrix: Elizabeth Siddal as Muse and Creator” The Journal of Pre- Raphaelite Studies. Vol. 4, Spring 1995, pp. 30-47.

Weninger, Stephen, “Symbol and Thing in Rossetti’s Dantis Amor” The Journal of Pre-Raphaelite Studies. Vol. 8, Spring 1999, pp. 5-15.

Pamela Stewart