Destruction of Afghanistan


Attached is yet another article on the ongoing destruction of the cultural and artistic heritage of Afghanistan. As we contemplate this sordid spectacle of pillage fueled by greed and ignorance, it is impossible not to mourn for future generations in Afghanistan who will never know or see the art treasures that are being heedlessly destroyed or sold abroad by some of their unscrupulous countrymen today.

However, we must also keep in mind the responsibility of outside powers and of foreign money in these crimes against civilization. Ten years of indiscriminate and barbaric attacks by Soviet air and ground forces succeeded in leveling over 70 percent of the built environment in Afghanistan.

Neither historic centers of civilization, such as Herat and Kandahar, nor humble villages were spared destruction in this brutal sideshow to the quarrel between the two great Cold War powers.

What the Barbarians from the North failed to destroy between 1979 and 1989 is now being systematically pillaged and destroyed by local Afghan warlords, factions and gangs -- most of the latter still armed, financed and pandered to by foreign patrons.

Those patrons now also include the international artgalleries, auction houses, museums and private collectors are paying top dollar for works of art looted from museums and archaeological sites in Afghanistan. Historical monuments still standing are being stripped of epigraphic friezes, tiles and other architectural ornament. Reportedly much of this theft is now being "commissioned" by clients who direct looters to the specific sites and types of items that are likely to yield the greatest financial return.

Scholars and others who have studied these cultures and artifacts are faced with a clear ethical responsibility. They can -- and should -- do what colleagues in other fields, such as pre-Columbian art, have done in similar circumstances. The ethical choice for Historians of Islamic Art is to make a formal commitment: to refuse to publish or exhibit objects for which a clear and clean provenance has not been established ... and to shun dealers, collectors and others who traffic in such objects.

The kind of wholesale appropriation of cultural heritage (by theft or uncontrolled sale and export) that was considered "comme il faut" at the end of the nineteenth century is no longer acceptable as we head into the 21st.

I propose to the board of HIA that it consider and draft a resolution to this effect and that they recommend its adoption by the membershipof the organization.

Any comments and additional suggestions are welcome -- please post them to the list at large so others can respond to them.

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  • THE ART NEWSPAPER (London) No. 66 (January 1997)
  • Last month we revealed the terrible fate of the Kabul Museum and the heroic efforts being made to save the surviving remnants (see The Art Newspaper, No.65, December 1996, pp,1-3). But damage to the sites which originally provided much of the museum's collection has been equally severe. In compiling our survey, we are particularly indebted to the Pakistan-based society for the Preservation of Afghanistan's Cultural Heritage. Their reports have been supplemented by eyewitness accounts from recent visitors to war-torn Afghanistan. Visiting the country is not easy, and frequently dangerous, so The Art Newspaper is very grateful for their assistance.
  • Our survey starts in the north, near the Tajikistan border, and moves south towards Pakistan:

  • Ai Khanum.
  • Telia Tepe.
  • Balkh.
  • Tashqurghan.
  • Bagram.
  • Bamiyan.
  • Herat.
  • Kabul.
  • Hadda.
  • Ghazni.
  • Politically, the situation in Afghanistan is as unstable asever. The Taliban ultra-fundamentalists control most of the south of the country (including Herat and Hadda) and seized the capital Kabul on 27 September. To the north, power is in the hands of Uzbek warlord General Abdul Rashid Dostum, military chief in the former communist government. He has formed an alliance with other militia leaders, including General Ahmed Masood, and they are taking the offensive in trying to push back the Taliban from Kabul. Peace now looks as far away as ever. When it finally arrives, this troubled land will find that much of its heritage has been lost forever.